Is it preferred or not preferred to sign and date paintings on the front of the canvases rather than on the backs? I have always signed and dated on the fronts. On a recent visit to a high end gallery I noticed that none of the paintings were signed this way. I asked the gallery director about this and she simply said none of these artists do, however they signed on the backs. Does this have to do with how well known the artist is? Patrice, I think this is a question of aesthetics and preferences.
How to Sign a Painting
Many of you who have been following me will know that I discourage artists from including dates on their artwork. Dear Jason, As a Museum Director, I vehemently disagree with not putting the date created on pieces of work in a portfolio. Why do you suggest that?
Adding a Date It’s a sign that you’re satisfied with the composition, and you no longer While it’s not a legal requirement, if you don’t add your name to a painting, it will be difficult for a viewer to identify you as the artist.
Any mark you make on the canvas or support is part of the piece of work you are creating. Your signature should be seen in this light. Colour, size, placement, execution… it all matters as much as everything else on the painting. Your mark should identify you as the artist, compliment the painting and not distract from the work. It identifies the work as yours Most importantly, years from now, wherever that painting ends up, it can be identified as your work. It honors the work Like framing, a signature honors the work.
The work you do today will most likely not be as good as the work you will do in 5 years time.
I happened to see a sanitation worker pick up a discarded painting I had left on top of my bin, look at it, break it over his knee, and toss it in the truck. A harsh critique, indeed. I find destroying them myself and putting them in a trash bag much less humbling. Like Robert, you simplify forms into abstract shapes for an overall joyful, fascinating effect.
The artist name and date are to be signed on the bottom right side of a print just below the printed image. Never on the image! The title of the print.
A signature can do more than simply help to confirm the authorship of a work. Artists with large workshops would often sign works that had been partially, or sometimes wholly painted by their assistants, as long as it met their standards of quality. Followers of artists were also known to forge the signatures of more established masters, and centuries later signatures were sometimes added by those looking to make a profit.
As a result, dating and authenticating works can be tricky. Wen Zhengming , Poems in Large Running Script , dated twenty-third day, third month, guichou year of the Jiajing period Fifteenth-century bronzes made this way, for example, are much thicker than 18th-century examples, because the casting process was refined over the years. The next step is to look for areas that might be less oxidised, and therefore without a patina.
A bronze figure of Venus drying herself, from a model by Giambologna , the cast attributed to Antonio Susini , circa In Dickinson was asked to examine a bronze statue of Venus , which was thought to have been cast by the Renaissance artist Antonio Susini. Turning it over revealed a hole of uneven thickness which, the specialist explains, suggested it had been cast using the lost wax technique in the 16th century.
Jan van Eyck (ca. 1390–1441)
Fiona Apple was wrestling with her dog, Mercy, the way a person might thrash, happily, in rough waves. Apple tugged on a purple toy as Mercy, a pit-bull-boxer mix, gripped it in her jaws, spinning Apple in circles. Worn out, they flopped onto two daybeds in the living room, in front of a TV that was always on.
Followers of artists were also known to forge the signatures of more David Teniers the Younger’s signature, date and self-portrait, from his.
I was wondering if there is a standard or at least a convention for which date to use when signing fine-art photographic prints for sale. Does one use the date the photograph was taken, or the date the print was made? I plan to sign and date the mat, and also the border of the photo that is under the mat. I’m presently making some prints for sale from images captured in Should the date after my signature on the mat and photo read or ?
I always sign portraits with the date the picture was taken. A client might come after five years and order an old picture
How To Prepare A Certificate of Authenticity
Then, at my workshop in California last weekend, I got the same question. Must be others out there who want to know the answer so here it is. Strangely enough, historians like dates!
There were also some great counter-arguments made. I would like to respond to one of those counter-arguments in particular to continue the discussion and further explore some of the issues related to dating artwork. Jason, if you or any of your respondents, have placed work in museums you will know that the date is important. In this thread I see a chorus of artists who seem to all agree with your advice to omit the date or hide it on a work of art. I am disappointed that you would advise artists to be evasive.
I am astonished that I am one of a very few perhaps from responses you chose to print that does not agree with your advice. Let me be a lone voice in support the curator who disagrees with you. Artists have been dating their work for centuries -more often than not. Why do you think this is? It is not just tradition. There are copyright, provenance, and authenticity issues that also make it wise to date your work.
I have always dated my work and have never lost a sale by doing so. If artists and gallery owners are so insecure that they have to hide the date the work was created in order to make a sale, they must have a weak connection with their customer.
A signature on a painting is important for several reasons. It shows that you are taking ownership or copyright of the artwork, of course, but adding your name to a painting is like adding a stamp to it that reads “finished. While it’s not a legal requirement, if you don’t add your name to a painting, it will be difficult for a viewer to identify you as the artist. You may argue that you have a very familiar style that people will recognize, but unless you are already famous, you may not get the credit you deserve.
Quick Facts. Name: Roy Lichtenstein. Birth Date: October 27, Death Date: September 29, Education: Parsons School of Design, The.
Kawara resisted formal biography, foregoing interview requests — even when it came to our monograph. The Today series also complicated an obituary, as we draw up our own dates — Jan. Denizot writes:. On Kawara, canvases from the ‘Today Series’ – In the Today series, the date on which the painting is made — always completed on the day it is begun – is inscribed at the centre of each canvas, and is the sole subject of the work.
This is work classified only by a series of numbers, differentiated simply through format and colour, the date, and the language of the country in which it was made. The originality of each work, its small difference from the others, becomes a possibility for a confrontation with the daily events of the world. Since its meaning is not predetermined, the real work of the piece lies ahead, in the encounter with the viewer, when it is exposed to the world.
3 Reasons to Sign your Artwork and 2 Reasons Why I Choose Not To
I agree with the dating the work means collectors, galleries, etc. Many juried shows limit the age of the work in the entry notes, too. I do date my work, but on the back.
This is the first in a series of skill share posts that I will call the Printmaking Series. I will be sharing the accumulated knowledge of over 15 years of printmaking through these posts. I will be updating this series at least once a month. Thanks for joining in! Print by definition is a reproduction of an artwork, such as a giclee, sometimes called an archival print or archival ink print, which is a digitally produced print from an original photograph or scan of an original artwork.
Print could mean the product of a printmaking process, such as intaglio, serigraph, stone lithograph or relief among others. Printmakers usually produce an original artwork that they create with their hands. These are the prints that I will be discussing in this article. Notice the number label on the lower left, followed by the title and the artist signature.
I choose to date the prints below my signature in order to better keep track of them. When the printmaker signs and numbers a series of prints, that is a number of reproductions of some form from a single design, they are guaranteeing that each print made is exactly like the rest in quality and that only that number that appears on the print are the only in existence. Before even signing and numbering, the printmaker has to go through the edition and destroy the prints that have irregularities.
Signing & Dating Your Work
Forgery refers to faking a signature without permission, making a false document or another object, or changing an existing document or another object without authorization. The most common form of forgery is signing someone else’s name to a check, but objects, data, and documents can also be forged. The same is true of legal contracts, historical papers, art objects, diplomas, licenses, certificates, and identification cards. Currency and consumer goods can also be forged, but that crime is usually referred to as counterfeiting.
To qualify as forgery, the writing must have legal significance and be false.
But on my artwork, I don’t write or sign my name. I always put the year on mine as a date below my signature (not the entire date but just ‘
Cave art , generally, the numerous paintings and engravings found in caves and shelters dating back to the Ice Age Upper Paleolithic , roughly between 40, and 14, years ago. See also rock art. The first painted cave acknowledged as being Paleolithic, meaning from the Stone Age , was Altamira in Spain. The art discovered there was deemed by experts to be the work of modern humans Homo sapiens. The total number of known decorated sites is about Most cave art consists of paintings made with either red or black pigment.
The reds were made with iron oxides hematite , whereas manganese dioxide and charcoal were used for the blacks. Engravings were made with fingers on soft walls or with flint tools on hard surfaces in a number of other caves and shelters. Representations in caves, painted or otherwise, include few humans, but sometimes human heads or genitalia appear in isolation.
Hand stencils and handprints are characteristic of the earlier periods, as in the Gargas cave in the French Pyrenees. Animal figures always constitute the majority of images in caves from all periods. Later on, horses , bison , aurochs , cervids , and ibex became prevalent, as in the Lascaux and Niaux caves.